“ People ” ~ by shades ~

People are played

To maintain disorder,

Sorted by shades

Made register colour,

Thus will persuade

Need fashion barriers,

To not let dissuade

No matter their claim,

Black white or other

They hold not the same,

Ignoring a brother

Save likely their name,

For souls who bother

To unclutter their mind,

Forgetting that skin

In a world colour blind,

Where people be shadeless

Fixed constant in everyone’s mind!

 

                                  ode to my dream, of a one people world!

 

 

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“ Idle Wade ” ~ to escape pathos ~

Ye squander time

Lacking the know

Of rapid decline,

Or how long to go

Before its consign,

Will find abuse

Hence so resign,                                                           

From inert pursuit

Of animate minds,

Whose idle wade

Be comatose blind,

In a pathos shade

Of life’s meagre time!

 

“ Years Ahead ” ~ not an indifferent kiss ~

Years ahead to come

Ought give a choice,

More so than some

Rushed thru past life,

Without it lend a voice

To moderate the pace,

Blind so to fleeting time

Was forever on the run,

In its sad habitual chase

Of accepted rush to wait,

Living in a moribund way

As tho life be but sorry gift,

Akin to an indifferent kiss!

“ Teach Me How ” ~ to do without ~

 

The while I live,

Teach me how

To do without,

If life dictates

Blind be my fate,

Ne’er to see you

One more time…

 

Teach me how

To do without,

If destined so

To suffer deaf

And cannot hear

Tho you be near…

 

Teach me now

To do without,

Afore I reach

State of forget,

Thus to endure

Held grieved regret,

Thru precious days

I might live yet

So teach me how,

I am to do without!

 

Ian on Sunday – The extraordinary claims of poetry – by Ian McDonald

Intermittently through the year, and especially during memorable times up the immense and soul-redeeming Essequibo, I like to read Shelley – as we all should do from time to time since he is pre-eminently the poet of hope. “Let us believe in a kind of optimism in which we are our own gods,” he wrote, “because Hope is a solemn duty which we owe alike to ourselves and the world.”

Shelley had a Promethean vision which seemed to his age, as it must certainly seem to ours, wholly unattainable – a vision of men and women “Equal, unclassed, tribeless and nationless.” But we cannot and should not live without ideals, however unreachable they may seem. Shelley’s poetry argued always against the despair which in his age, as again in ours, seems to follow every hopeful upheaval, each successive glimpse of the vanishing form of liberty and the brotherhood of man.

Think of the despair that so quickly followed in the wake of the great burst of optimistic expectations of a new world dispensation arising out of the break-up of the communist empire and the end of the Cold War. Think how the promise of the Arab Spring has so quickly disappeared. Shelley would have spoken eloquently against such quick disillusion. He would have counselled us to keep the faith. In the same news programme that tells us of the latest horrors out of Afghanistan, Iraq, Somalia, or Syria or a score of other places we hear described the shining lives of the men and women who strive to bring help to such countries and so we hold on still to the slim hope that all may yet be well.

Almost more than anything I love Shelley because, in this most unpoetic age, I draw again from him the belief that poetry can be a transforming agent in people’s lives: “The most unfailing herald, companion or follower of the awakening of a great people to work a beneficial change in opinion or institution, is Poetry.”

This remarkable claim for poetry, for the power of the imagination to bring about social change – and in his Defence of Poetry he also wrote “Poets are the unacknowledged legislators of the world” – explains Shelley’s appeal to readers as different as Baudelaire, Karl Marx, Yeats, Shaw, Gandhi and John Kennedy.

Shelley saw himself as taking part in a great movement of thought set in train by the French Revolution and the unprecedented hopes it generated. He believed that the poet – the prophet who sees into the hidden currents of his time far more acutely than his fellows – has a special obligation “to make the best of it,” to argue against despondency and disillusion and despair. This is the element in Shelley which must speak to us as man’s hatred of man reasserts itself with unbelievable ferocity, as civil carnage mounts across the world, as religious conflict spills blood in country after country, as gross inequality reestablishes itself in the privileged but miserable West, as war looms in the Middle East and avenging terror seems to spread everywhere.

In our own land, where hope has been shredded so often, where daily we are filled with revulsion at brutal public crimes and unspeakable acts of mindless domestic ferocity, let the force and relevance of poetry never be forgotten. Once I was reading Shelley while in “beloved Essequibo where my soul will go/if hereafter good things happen” – the poet’s great ‘Ode to the West Wind’ especially filling me with wonder all over again as it used to do in my young days – I came across some lines which struck me forcefully. They are from ‘Prometheus Unbound’ and they tell us to resolve never to lose heart:

To suffer woes which Hope thinks infinite;

To forgive wrongs darker than death or nights;

To defy Power, which seems omnipotent;

To love, and bear; to Hope till Hope creates

From its own wreck the thing it contemplates;

Neither to change, nor falter, nor repent

This, like thy glory, Titan, is to be

Good, great and joyous, beautiful and free;

This alone is Life, Joy, Empire and Victory.

Thus over the centuries do the words of poets return again and again to define our deepest needs and inspire mankind to endure against all odds. Amidst the chatter of bureaucrats and businessmen, academics and politicians, it is the voice of the poet, as he delves into the heart of things, which never ceases to give us hope.

“ Blind I Feel ” ~ what others see ~

A world in dark

Absent of colour,

Ever so black

And forever night

As blind I be,

And thus must feel

What others see…

 

Of eyes gone dead

I’m made to live,

Past visions’ stead,

That for a while

Did see my world

Wherein did lie

Feed for my eyes…

 

Time reconciled

Mind improvise,

To teach me life

Of sightless wise,

Hence find the real

In sounds I’d hear,

And feel the words

Meant to express

What held be dear,

As blind I’m to feel,

What others see!